apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autoportrait
Autoportrait by Émilie Charmy

plate no. 2023

Autoportrait

Émilie Charmy, 1910

oilExpressionismself-portraitportraitwomanfacehairclothingself-portrait
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms and using expressive brushstrokes to define shapes and values. It also provides practice in mixing skin tones and creating a sense of depth with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and hair.

  2. step 02

    Block in the background with a dark green, leaving space for the figure.

  3. step 03

    Mix a base skin tone and apply it to the face and neck, paying attention to the overall shape.

  4. step 04

    Add shadows and highlights to the face using slightly darker and lighter variations of the skin tone.

  5. step 05

    Paint the hair with dark greens and browns, using visible brushstrokes to suggest texture.

  6. step 06

    Block in the clothing with a dark blue, adding subtle variations in tone.

  7. step 07

    Refine the details of the face, such as the eyes and mouth, using small, precise brushstrokes.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · viridian green · cadmium red

Mix skin tones by combining white, red, yellow ochre, and a touch of burnt umber. Darken the skin tone by adding more burnt umber and a touch of blue. Achieve the dark green background by mixing viridian green with burnt umber.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →over-blending the skin tones
  • →getting the proportions of the face wrong
  • →making the background too uniform
  • →using too much detail

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (size 6)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting rags
  • ·medium gloss

Using a limited palette will help to unify the painting and create a harmonious color scheme. Experiment with different brushstrokes to achieve the desired texture and effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor