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home·artworks·Auto-retrato III
Auto-retrato III by Lasar Segall

plate no. 1563

Auto-retrato III

Lasar Segall, 1927

oilExpressionismself-portraitself-portraitfigurehandpencilfacepaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in depicting hands and creating a sense of depth through value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes of the face, hands, and paper.

  2. step 02

    Establish the darkest areas of the painting, focusing on the background and shadows on the face.

  3. step 03

    Begin layering in mid-tones on the face and hands, paying attention to the subtle color variations.

  4. step 04

    Introduce the lighter areas of the face and hands, blending carefully to create smooth transitions.

  5. step 05

    Refine the details of the eyes, nose, and mouth, capturing the likeness of the subject.

  6. step 06

    Add details to the hands and pencil, focusing on accurate proportions and rendering.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and balanced composition.

  8. step 08

    Add final highlights to enhance the sense of depth and realism.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Skin tones are achieved by mixing raw umber, yellow ochre, and titanium white. Burnt sienna is used for warmer areas, while ivory black is added to create shadows.

techniques

  • ·layering
  • ·blending
  • ·value study
  • ·portraiture
  • ·rendering

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Over-blending, resulting in a flat and lifeless appearance.
  • →Neglecting the subtle color variations in skin tones.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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