apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Auto retrato en azul (self portrait in blue)
Auto retrato en azul  (self portrait in blue) by Ramon Oviedo

plate no. 7656

Auto retrato en azul (self portrait in blue)

Ramon Oviedo, 1999

oilExpressionismself-portraitportraitfaceglassesmanblue
some experience helpful

This painting offers practice in portraiture, focusing on capturing likeness through color and value rather than precise detail. Students will develop skills in color mixing to create subtle variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the face, including the glasses.

  2. step 02

    Establish the background color with a mid-tone blue.

  3. step 03

    Block in the main areas of light and shadow on the face using darker and lighter blues.

  4. step 04

    Refine the shapes and values on the face, paying attention to the planes and contours.

  5. step 05

    Add the details of the eyes, nose, and mouth, using small brushstrokes.

  6. step 06

    Paint the glasses, focusing on the reflections and transparency.

  7. step 07

    Introduce subtle color variations, such as hints of red and purple, to add depth.

  8. step 08

    Add final highlights and shadows to enhance the form.

color palette

primary · ultramarine blue · cerulean blue · titanium white

secondary · burnt sienna · cadmium red light

Mix various shades of blue by combining ultramarine and cerulean with white. Use small amounts of burnt sienna and red to create warmer tones for the skin and glasses.

techniques

  • ·color mixing
  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Using too much white and making the colors look chalky.
  • →Ignoring the underlying structure of the face.
  • →Not paying attention to the subtle color variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor