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home·artworks·Auto-Retrato
Auto-Retrato by Candido Portinari

plate no. 3592

Auto-Retrato

Candido Portinari, 1957

oilExpressionismself-portraitportraitself-portraitfigurebrushesglassesbackground
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and understanding how to build form with visible strokes. It also provides practice in mixing skin tones and capturing a likeness.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin adding layers of short, directional brushstrokes to define the form of the face and clothing.

  4. step 04

    Pay close attention to the direction of the brushstrokes to convey the contours of the face and the folds of the shirt.

  5. step 05

    Mix subtle variations of skin tones and apply them with small, deliberate strokes.

  6. step 06

    Add details such as the glasses, eyes, and hair, using finer brushstrokes.

  7. step 07

    Refine the background colors and shapes, maintaining the overall simplicity of the composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · titanium white · yellow ochre · burnt umber · cerulean blue

secondary · cadmium red light · viridian green

Mix skin tones by blending yellow ochre, burnt umber, and titanium white. Use small amounts of cadmium red light to add warmth. Achieve the background colors by mixing cerulean blue with white and small amounts of yellow ochre or green.

techniques

  • ·broken color
  • ·directional brushstrokes
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →over-blending the colors
  • →losing the directional quality of the brushstrokes
  • →getting the proportions of the face wrong
  • →making the skin tones too uniform

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·painting easel
  • ·rags
  • ·odorless mineral spirits

Use good quality paints for best results. Consider using a toned canvas to make the colors pop.

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oil painting for beginners →how to learn by studying the masters →
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