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home·artworks·Auguste Pellerin (I)
Auguste Pellerin (I) by Henri Matisse

plate no. 2440

Auguste Pellerin (I)

Henri Matisse, 1917

oilExpressionismportraitportraitfiguretablebooksinteriorpainting
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using expressive brushstrokes to convey character. It also provides practice in simplifying complex forms and working with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, table, and background elements.

  2. step 02

    Block in the main areas of color using thin washes, focusing on the overall value structure.

  3. step 03

    Begin to build up the darker values in the figure's suit and the shadows in the background.

  4. step 04

    Add the mid-tones and highlights to create form and dimension, paying attention to the light source.

  5. step 05

    Refine the details of the face, hands, and other key areas, using smaller brushstrokes.

  6. step 06

    Introduce the secondary colors to add depth and interest to the painting.

  7. step 07

    Adjust the overall composition and color balance as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · ivory black · burnt umber

secondary · cadmium red · viridian green

Mix various shades of brown and ochre by combining burnt umber, yellow ochre, and black. Use white to lighten these colors and create highlights. Mix greens by combining viridian green with yellow ochre.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·expressive brushstrokes
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to capture the likeness of the figure.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the overall value structure and creating a flat painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to create a warmer base for the painting.

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