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home·artworks·At a Stream. Poet Sitting on Stones
At a Stream. Poet Sitting on Stones by Oleksa Novakivskyi

plate no. 8353

At a Stream. Poet Sitting on Stones

Oleksa Novakivskyi, 1921

oilPost-Impressionismgenre paintingfigurerockswaterstreamlandscapeclothing
some experience helpful

Recreating this painting will help students develop skills in impasto brushwork and understanding how to represent form with loose, expressive strokes. It also provides practice in mixing subtle variations of a limited color palette.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, rocks, and water.

  2. step 02

    Block in the main areas of color with thin washes, focusing on the overall value structure.

  3. step 03

    Begin applying thicker paint with visible brushstrokes to define the forms.

  4. step 04

    Use directional strokes to suggest the movement of water and the texture of the rocks.

  5. step 05

    Refine the details of the figure, paying attention to the light and shadow.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the colors and values as needed to achieve a harmonious composition.

  8. step 08

    Add final details and highlights to enhance the overall effect.

color palette

primary · titanium white · ivory black · ultramarine blue

secondary · raw umber · yellow ochre

Achieve the various gray tones by mixing white with black and small amounts of blue or umber. Use yellow ochre sparingly to warm up certain areas.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a stiff, unnatural effect.
  • →Failing to capture the subtle variations in color and value.
  • →Not paying attention to the direction of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·assorted flat brushes
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·palette

Use a medium-tooth canvas to allow for good paint adhesion. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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