
plate no. 2774
George Stefanescu, 1967
Recreating this painting will help students develop skills in expressive brushwork and color mixing to create form and mood. It also encourages observation of light and shadow in portraiture.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure on the cardboard.
Establish the main areas of light and shadow with thin washes of color.
Begin building up layers of color with visible brushstrokes, focusing on the face first.
Mix colors directly on the canvas to create variations and texture.
Use short, directional brushstrokes to define the form of the face and clothing.
Add details to the eyes, nose, and mouth, paying attention to the highlights and shadows.
Refine the background with expressive brushstrokes, using complementary colors to create contrast.
Add final touches and highlights to enhance the overall effect.
color palette
primary · yellow ochre · cadmium red · viridian green · ivory black
secondary · burnt umber · cadmium yellow · ultramarine blue
Achieve skin tones by mixing yellow ochre, cadmium red, and a touch of viridian green. Darken colors with ivory black or burnt umber. Use ultramarine blue to cool down greens.
techniques
common pitfalls
surface · cardboard panel
required
optional
Priming the cardboard with gesso is optional but recommended for better paint adhesion.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor