
plate no. 7535
Graham Sutherland, 1953
Recreating this painting will help students develop skills in portraiture, color mixing, and expressive brushwork. It's a good exercise in capturing likeness and mood through color and texture.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head and shoulders.
Establish the background color with a thin wash of red.
Block in the main areas of light and shadow on the face using a limited palette.
Refine the facial features, paying attention to the subtle variations in skin tone.
Add details to the hair and clothing.
Use expressive brushstrokes to create texture and depth.
Adjust the values and colors to achieve a sense of realism and mood.
Add final highlights and details.
color palette
primary · burnt sienna · raw umber · titanium white · cadmium red
secondary · yellow ochre · ivory black
Mix different shades of brown and red by combining burnt sienna, raw umber, and cadmium red. Use white to lighten the colors and black to darken them. Yellow ochre can be used to add warmth to the skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas for this project. It is important to use good quality oil paints for best results.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor