
plate no. 9218
Edwin Dickinson, 1911
Recreating this painting helps students understand value relationships and how to create form with simple tonal variations. It's also a good exercise in capturing the essence of objects rather than precise details.
technical profile
approach — 7 steps
Lightly sketch the basic shapes of the bottle, apple, and plate.
Establish the darkest and lightest areas to define the value range.
Block in the background with a mid-tone gray.
Begin layering darker tones on the bottle and apple, paying attention to the shadows.
Add lighter tones to the apple and bottle to create highlights and form.
Refine the shape and edges of the plate, using subtle value changes to suggest its curvature.
Adjust the values throughout the painting to create a cohesive and balanced composition.
color palette
primary · ivory black · titanium white · raw umber
secondary · payne's gray
Mix various shades of gray by combining black and white. Add small amounts of raw umber to warm the grays, and payne's gray to cool them.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for some texture in the brushstrokes. Consider toning the canvas with a thin wash of raw umber before starting.
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