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home·artworks·Annie of the Royal Bafokeng
Annie of the Royal Bafokeng by Maggie Laubser

plate no. 2195

Annie of the Royal Bafokeng

Maggie Laubser, 1945

oilExpressionismportraitportraitwomanflowerslandscapeheadscarfsky
some experience helpful

This painting provides practice in portraiture, color mixing for skin tones, and creating a sense of depth through layering and atmospheric perspective. Students will also learn to simplify complex forms and capture expressive qualities with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, flowers, and landscape.

  2. step 02

    Block in the main color areas: skin, headscarf, background, and flowers.

  3. step 03

    Develop the skin tones using a range of browns, yellows, and reds, paying attention to highlights and shadows.

  4. step 04

    Add details to the headscarf, blending colors to create form and texture.

  5. step 05

    Paint the flowers with bold strokes, capturing their unique shapes and colors.

  6. step 06

    Refine the background, adding details to the landscape and sky.

  7. step 07

    Add final details and highlights to the portrait, focusing on the eyes and facial features.

  8. step 08

    Review and adjust colors and values as needed to achieve a cohesive and expressive result.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · cadmium red

secondary · titanium white · sap green · raw sienna

Mix browns and yellows with white to create lighter skin tones. Use blues and greens for the background, and reds and oranges for the flowers. Mix complementary colors to create muted tones.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·impasto
  • ·expressive brushwork

common pitfalls

  • →Over-blending and losing the expressive brushstrokes.
  • →Getting skin tones too muddy or flat.
  • →Ignoring the subtle color variations in the background.
  • →Not simplifying the forms enough.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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