apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alps. Village in the Savoie
Alps. Village in the Savoie by Zinaida Serebriakova

plate no. 1610

Alps. Village in the Savoie

Zinaida Serebriakova, 1933

oilExpressionismcityscapebuildingsvillagelandscapeskytreesanimals
some experience helpful

This painting is great for practicing perspective, color mixing to create a warm and rustic palette, and capturing the essence of light and shadow in a rural scene. Students will also learn to simplify complex forms and create depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and landscape.

  2. step 02

    Establish the overall composition and focal point.

  3. step 03

    Block in the large areas of color, starting with the sky and background hills.

  4. step 04

    Gradually add details to the buildings, focusing on the light and shadow patterns.

  5. step 05

    Mix and apply the colors for the ground, paying attention to the warm tones and variations.

  6. step 06

    Add the details of the trees, animals, and other elements in the foreground.

  7. step 07

    Refine the details and adjust the values to create depth and atmosphere.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · raw umber · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · sap green · cadmium red light

Achieve the warm, earthy tones by mixing raw umber, yellow ochre, and burnt sienna. Use ultramarine blue to cool down the shadows and create atmospheric perspective. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·dry brush texture
  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, leading to a distorted composition.
  • →Overworking the details and losing the overall impressionistic feel.
  • →Not paying attention to the light and shadow patterns, resulting in a flat image.
  • →Using colors that are too saturated, creating an unrealistic effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for dry brush techniques. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor