apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alps. Annecy
Alps. Annecy by Zinaida Serebriakova

plate no. 5223

Alps. Annecy

Zinaida Serebriakova, 1933

oilExpressionismlandscapemountainslandscapetreesbuildingsfieldssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It will also improve their ability to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, hills, and buildings, focusing on proportions and placement.

  2. step 02

    Establish a light wash of diluted color for the sky and distant mountains, creating atmospheric perspective.

  3. step 03

    Block in the larger areas of color for the fields and trees, using a limited palette of earth tones.

  4. step 04

    Add details to the buildings and trees, varying the brushstrokes to create texture and interest.

  5. step 05

    Develop the foreground with more detail, including the trees, bushes, and fields.

  6. step 06

    Refine the values and colors throughout the painting, paying attention to the light and shadow.

  7. step 07

    Add final details, such as small figures or animals, to create a sense of scale and life.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · cadmium red light

Mix greens by blending yellow ochre and ultramarine blue. Create muted tones by mixing complementary colors. Use white to lighten values and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not blending them effectively.
  • →Failing to establish a strong value structure.
  • →Not simplifying the complex shapes of the trees and mountains.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor