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home·artworks·Alpes Maritimes
Alpes Maritimes by John Duncan Fergusson

plate no. 8754

Alpes Maritimes

John Duncan Fergusson, 1914

oilFauvismlandscapemountainstreeslandscapebuildingsskyvegetation
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a vibrant landscape. It also encourages simplification of forms and capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, buildings, and foreground elements.

  2. step 02

    Block in the sky with a thin wash of light blue and grey.

  3. step 03

    Establish the mountain range using a mix of blues, purples, and pinks, focusing on broad strokes.

  4. step 04

    Define the larger shapes of the trees and foliage with dark greens and blues.

  5. step 05

    Add the building shapes using ochre and brown tones, keeping them simplified.

  6. step 06

    Develop the foreground with a mix of greens, reds, and browns, using visible brushstrokes to create texture.

  7. step 07

    Add highlights to the trees and mountains with lighter shades of the base colors.

  8. step 08

    Refine the details and adjust the color balance to achieve a harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · alizarin crimson · titanium white

secondary · viridian green · burnt umber · cadmium yellow

Achieve the mountain colors by mixing blues, purples, and pinks with white. Create greens by mixing blues and yellows. Use burnt umber and alizarin crimson for earth tones.

techniques

  • ·broken color
  • ·impasto
  • ·alla prima
  • ·expressive brushwork
  • ·color layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing on the palette.
  • →Failing to simplify the forms and getting bogged down in unnecessary detail.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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