
plate no. 2385
Albin Egger-Lienz, 1911
Recreating this painting will help students understand atmospheric perspective and how to simplify complex landscapes into basic shapes and values. It also provides practice in subtle color mixing and blending to create depth and form.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains, hills, and buildings using light pencil lines.
Establish the horizon line and divide the canvas into sky and land.
Apply a thin wash of burnt umber or raw sienna as an underpainting to the entire canvas.
Mix the sky color (primarily white with a touch of brown or gray) and apply it, blending it smoothly.
Mix the colors for the mountains and hills, starting with the darkest values and gradually adding lighter tones.
Paint the buildings using darker shades of brown and gray, paying attention to their simple shapes.
Add subtle highlights and shadows to the hills and mountains to create a sense of depth and form.
Refine the details and blend the colors to achieve a soft, atmospheric effect.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · payne's gray · yellow ochre
Mix browns with white for lighter tones, and add a touch of gray or blue to darken the browns. Use yellow ochre to warm up the browns in the foreground.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor