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home·artworks·Albert Kollmann
Albert Kollmann by Edvard Munch

plate no. 9744

Albert Kollmann

Edvard Munch, 1902

oil, canvasExpressionismportraitportraitmanfigureclothingformal wearbackground
some experience helpful

Recreating this painting will help students develop skills in portrait painting, including capturing likeness and creating depth through subtle color variations and brushwork. It also provides practice in mixing skin tones and rendering clothing folds.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure and the main shapes of the clothing.

  2. step 02

    Establish the background color with broad strokes, focusing on the overall tone.

  3. step 03

    Block in the main areas of the face with a base skin tone mixture.

  4. step 04

    Begin to refine the facial features, paying attention to the light and shadow.

  5. step 05

    Develop the details of the clothing, using darker tones for shadows and lighter tones for highlights.

  6. step 06

    Add details to the hair and facial hair, using small, controlled brushstrokes.

  7. step 07

    Refine the background, adding subtle variations in color and texture.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · viridian · ivory black · yellow ochre

Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of umber. The background is a mix of viridian, white, and umber. Dark clothing is achieved with black, umber, and a touch of red.

techniques

  • ·portraiture
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions.
  • →Ignoring the subtle variations in skin tone.
  • →Applying paint too thickly or thinly.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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