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home·artworks·Ai Jardins De Luxembourg
Ai Jardins De Luxembourg by Filippo De Pisis

plate no. 7138

Ai Jardins De Luxembourg

Filippo De Pisis

oilExpressionismcityscapecityscapebuildingstreesskyfiguresstatue
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and capturing atmospheric perspective. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, tower, and trees, focusing on proportions.

  2. step 02

    Block in the sky with light grays and whites, using loose, directional brushstrokes.

  3. step 03

    Establish the main color masses for the buildings and trees, using a limited palette of earth tones and greens.

  4. step 04

    Add darker values to create shadows and depth, especially in the foreground.

  5. step 05

    Introduce pops of color for figures and details, keeping them muted and harmonious.

  6. step 06

    Refine the details of the tower and statue, using smaller brushes and more precise strokes.

  7. step 07

    Add highlights to create a sense of light and atmosphere.

  8. step 08

    Review and adjust the overall composition, ensuring a balance of color and value.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · sap green · cadmium red light · payne's gray

Mix various shades of gray by combining white with small amounts of raw umber and payne's gray. Achieve the greens by mixing yellow ochre and sap green, and adjust the warmth with a touch of cadmium red light.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·atmospheric perspective
  • ·directional brushstrokes

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Using colors that are too saturated and not harmonizing with the overall palette.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·cadmium red light oil paint
  • ·payne's gray oil paint
  • ·assorted flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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