apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·After the Storm
After the Storm by Istvan Farkas

plate no. 0572

After the Storm

Istvan Farkas, 1934

oilExpressionismgenre paintingfigureslandscapebuildingstreespathfence
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and using expressive brushstrokes to convey mood. It also provides practice in mixing muted color palettes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the landscape elements.

  2. step 02

    Block in the main color areas with thin washes, paying attention to the overall value structure.

  3. step 03

    Develop the sky and background, blending colors to create a sense of atmosphere.

  4. step 04

    Add details to the figures, focusing on capturing their forms with simple shapes and expressive brushstrokes.

  5. step 05

    Refine the landscape elements, adding texture and detail to the trees, buildings, and path.

  6. step 06

    Create the fence using short, broken brushstrokes.

  7. step 07

    Adjust the overall color balance and value contrast to achieve the desired mood.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · white · black · purple · green

secondary · brown · pink

Achieve the muted tones by mixing complementary colors and adding white or black to adjust the value. Use purple and white to create the sky. Mix brown and green for the ground.

techniques

  • ·blocking in
  • ·dry brush
  • ·color mixing
  • ·expressive brushwork
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Not simplifying the forms and shapes.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·easel
  • ·rags
  • ·medium gloss

Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor