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home·artworks·Acrobats Macro and Microcosms
Acrobats Macro and Microcosms by Maruja Mallo

plate no. 1581

Acrobats Macro and Microcosms

Maruja Mallo, 1981

oilExpressionismgenre paintingfiguresacrobatsgeometric patternscelestial motifshuman formsdecorative elements
advanced study

Students would develop skills in figure drawing, understanding human anatomy in motion, and creating balanced compositions with multiple elements. This work emphasizes precise line work and controlled color application.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
2
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with careful preliminary sketches of the two main figures, focusing on their proportions and poses

  2. step 02

    Map out the overall composition, establishing the relationship between figures and decorative elements

  3. step 03

    Block in the background with neutral tones, creating subtle gradations

  4. step 04

    Develop the figure forms with careful attention to anatomy and gesture

  5. step 05

    Add the geometric and celestial decorative elements, maintaining precise shapes

  6. step 06

    Refine facial features and expressions with delicate brushwork

  7. step 07

    Apply final details to the ornamental motifs using controlled, precise strokes

  8. step 08

    Balance the overall tonality and make final adjustments to ensure compositional harmony

color palette

primary · raw umber · titanium white · payne's gray · yellow ochre

secondary · ultramarine blue · dioxazine purple · burnt sienna · cadmium yellow pale

Achieve flesh tones by mixing yellow ochre with white and touches of raw umber. Create the blue decorative elements with ultramarine blue mixed with white and purple accents.

techniques

  • ·figure drawing
  • ·precise line work
  • ·controlled brushstrokes
  • ·color gradation
  • ·geometric pattern work

common pitfalls

  • →rushing the figure proportions
  • →making decorative elements too bold
  • →losing the subtle tonal relationships
  • →overworking the smooth surfaces

materials

surface · primed canvas or fine-weave linen

required

  • ·#2 round brush
  • ·#6 flat brush
  • ·#0 liner brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·canvas 18x24

optional

  • ·palette knife for mixing
  • ·mahlstick for steady hand work
  • ·medium gloss varnish
  • ·blending stumps

This requires steady hand control and patience for the detailed work. Consider using a mahlstick for the fine decorative elements.

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