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home·artworks·Abbey Koutloumousiou
Abbey  Koutloumousiou by Spyros Papaloukas

plate no. 0206

Abbey Koutloumousiou

Spyros Papaloukas, 1924

oilExpressionismcityscapebuildingslandscapetreeshillscityscapearchitecture
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using color to create depth and atmosphere. It's a good exercise in capturing the essence of a place rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and trees, focusing on overall composition.

  2. step 02

    Block in the sky with a thin wash of blue-green, allowing some areas to remain lighter.

  3. step 03

    Establish the main color blocks for the buildings using ochre, yellow, and white, varying the tones slightly.

  4. step 04

    Paint the foliage with different shades of green, mixing in yellow and brown for variation.

  5. step 05

    Add the red roofs and other details to the buildings, using a small brush.

  6. step 06

    Define the shadows and highlights to create depth and dimension.

  7. step 07

    Refine the details and add texture with short, broken brushstrokes.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · yellow ochre · sap green · titanium white

secondary · burnt sienna · ultramarine blue · raw umber

Mix greens by combining yellow ochre and ultramarine blue. Create variations in the greens by adding white, raw umber, or burnt sienna. Achieve the building colors by mixing yellow ochre with white and small amounts of burnt sienna.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·simplification

common pitfalls

  • →Getting bogged down in details too early.
  • →Using colors straight from the tube without mixing.
  • →Creating too much contrast, losing the overall harmony.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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