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home·artworks·A Woman at a Sunny Window
A Woman at a Sunny Window by Carl Holsøe

plate no. 2717

A Woman at a Sunny Window

Carl Holsøe

oilExpressionisminteriorinteriorwomanwindowplantsfurniturelight
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, and in creating a sense of atmosphere through color and brushwork. It also provides practice in rendering realistic textures and forms within an interior setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the window, figure, and furniture.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color, such as the walls, floor, and window light.

  3. step 03

    Begin to refine the shapes and values, paying attention to the light and shadow patterns.

  4. step 04

    Develop the details of the figure, plants, and furniture, using smaller brushstrokes and subtle color variations.

  5. step 05

    Focus on capturing the light streaming through the window, using thin layers of paint and soft blending.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and textures, such as the curtains, plants, and furniture.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · ivory black · yellow ochre · raw umber · titanium white

secondary · sap green · cadmium yellow · burnt sienna

Mix various shades of green by combining yellow ochre, ivory black, and a touch of cadmium yellow. Achieve the warm tones of the wood by mixing raw umber, burnt sienna, and yellow ochre. Use titanium white to create highlights and to lighten the overall color palette.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Not establishing a clear value structure
  • →Ignoring the effects of light and shadow
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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