apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Winter Landscape
A Winter Landscape by C. R. W. Nevinson

plate no. 6453

A Winter Landscape

C. R. W. Nevinson, 1926

oilExpressionismlandscapelandscapefieldtreesbirdsskygate
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating texture with visible brushstrokes. It also provides practice in depicting a sense of depth and distance in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, noting the horizon line and major shapes of the field, trees, and distant hills.

  2. step 02

    Block in the sky with a light gray, blending the tones to create a cloudy effect.

  3. step 03

    Establish the base color of the field with a mix of brown and green, varying the tones to suggest the furrows.

  4. step 04

    Paint the distant hills with muted blues and grays to create atmospheric perspective.

  5. step 05

    Add the trees, using a dry brush technique to create texture and suggest bare branches.

  6. step 06

    Paint the flock of birds, varying their size and density to create a sense of depth.

  7. step 07

    Add details to the foreground, such as the gate and any small plants or debris.

  8. step 08

    Refine the colors and values throughout the painting, paying attention to the overall harmony.

color palette

primary · raw umber · titanium white · sap green

secondary · ultramarine blue · burnt sienna

Mix white with raw umber and a touch of blue for the sky. Use varying proportions of raw umber, sap green, and burnt sienna for the field. Mute colors with complementary colors to create a sense of distance.

techniques

  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Making the colors too saturated, which can detract from the somber mood.
  • →Not varying the size and density of the bird flock, which can make it look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas to allow for texture. Consider using a quick-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor