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home·artworks·A windmill in a landscape, Het Gooi
A windmill in a landscape, Het Gooi by Gustave de Smet

plate no. 0670

A windmill in a landscape, Het Gooi

Gustave de Smet, 1916

oilExpressionismlandscapewindmilllandscapeskyfieldbuildingtrees
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using expressive brushstrokes to convey texture and form. It also provides practice in mixing muted colors and creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the windmill, building, and landscape using light pencil lines.

  2. step 02

    Block in the large areas of color, starting with the sky and field, using thin washes.

  3. step 03

    Add the darker tones to define the shapes of the windmill, building, and trees.

  4. step 04

    Build up layers of color, using thicker paint and visible brushstrokes to create texture.

  5. step 05

    Mix and apply the colors for the windmill, paying attention to the subtle variations in hue and value.

  6. step 06

    Add details to the building and trees, using smaller brushes and more precise strokes.

  7. step 07

    Refine the sky and field, blending colors and adding highlights to create depth.

  8. step 08

    Add the final details, such as the windmill blades and the path, and adjust the overall composition as needed.

color palette

primary · Prussian blue · Yellow ochre · Burnt sienna

secondary · Titanium white · Sap green · Ultramarine blue

Mix muted greens by combining yellow ochre and Prussian blue. Achieve the sky color by blending Prussian blue and titanium white, adding a touch of yellow ochre for warmth. Create the field color by mixing yellow ochre with small amounts of burnt sienna and white.

techniques

  • ·Impasto
  • ·Broken color
  • ·Wet-on-dry layering
  • ·Color mixing
  • ·Simplification of form

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too bright or saturated.
  • →Failing to simplify the scene and getting bogged down in details.
  • →Not paying attention to the overall composition and balance of the painting.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints
  • ·#6 flat brush
  • ·#2 round brush
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use a limited palette of colors to simplify the mixing process. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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