
plate no. 2771
Anita Malfatti, 1916
Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a sense of movement and atmosphere. It also encourages simplification of forms and focusing on the overall impression rather than precise details.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the hills, the trees, and the horizon line.
Block in the sky with a thin wash of white and hints of pale blue and pink.
Establish the basic color masses for the hills using yellow, green, and brown.
Begin building up the trees with bold strokes of dark green, adding yellow and brown highlights.
Use directional brushstrokes to suggest the wind's movement across the landscape.
Add details to the foreground vegetation with short, broken strokes.
Refine the shapes and colors of the mountains in the background.
Add final highlights and shadows to enhance the sense of depth and form.
color palette
primary · yellow ochre · viridian green · burnt umber · titanium white
secondary · cadmium yellow · ultramarine blue · alizarin crimson
Mix greens by combining viridian with yellow ochre or cadmium yellow. Use white to create lighter tints of all colors. Browns can be achieved by mixing burnt umber with small amounts of blue or green.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a fast-drying medium to speed up the drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor