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home·artworks·A Street Scene from Riga
A Street Scene from Riga by Mstislav Dobuzhinsky

plate no. 3181

A Street Scene from Riga

Mstislav Dobuzhinsky, 1925

watercolor, paperSymbolismcityscapebuildingscityscapearchitecturewindowsroofsstreet
some experience helpful

This painting is a good exercise in perspective and capturing the atmosphere of a city street. Recreating it will help students develop skills in watercolor washes and creating depth through layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper as a base tone.

  3. step 03

    Begin layering in the colors of the buildings, starting with the lightest tones and gradually adding darker values.

  4. step 04

    Paint the roofs with a mix of red, brown, and orange, adding details to suggest tiles.

  5. step 05

    Add details to the windows and doors, using darker colors to create shadows.

  6. step 06

    Paint the street and sidewalk with a mix of gray and brown, adding subtle variations in tone.

  7. step 07

    Use a fine brush to add details such as the street lamp, signs, and architectural embellishments.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · yellow ochre · burnt sienna · raw umber

secondary · viridian · cadmium red · payne's gray

Mix yellow ochre with burnt sienna for the building walls. Use viridian and yellow ochre for the green shutters. Payne's gray can be used to darken values and create shadows.

techniques

  • ·watercolor washes
  • ·layering
  • ·dry brushing
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Not establishing a clear sense of perspective.
  • →Failing to create a sense of depth through layering.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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