apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Street in Bastia
A Street in Bastia by Auguste Herbin

plate no. 9614

A Street in Bastia

Auguste Herbin

oilFauvismcityscapebuildingsstreetfigurescityscapeshadowsstorefront
some experience helpful

This painting is great for practicing color mixing and applying bold, expressive brushstrokes. Students will learn how to simplify complex scenes into basic shapes and use color to create depth and interest.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and street, focusing on perspective.

  2. step 02

    Block in the large areas of color for the buildings, street, and sky using simplified shapes.

  3. step 03

    Begin adding layers of color within each shape, using short, directional brushstrokes.

  4. step 04

    Mix colors directly on the canvas to create a vibrant and textured effect.

  5. step 05

    Define the edges of the buildings and street with darker colors.

  6. step 06

    Add details such as windows, doors, and figures using small, deliberate brushstrokes.

  7. step 07

    Pay attention to the direction of light and shadow to create depth.

  8. step 08

    Refine the colors and brushstrokes until the painting captures the energy and vibrancy of the original.

color palette

primary · ultramarine blue · lemon yellow · cadmium red · sap green

secondary · purple · orange · pink

Mix greens by combining blues and yellows, purples by combining blues and reds, and oranges by combining reds and yellows. Use white to lighten colors and create tints. Mix colors directly on the canvas to achieve the desired vibrancy.

techniques

  • ·broken color
  • ·impasto
  • ·color mixing
  • ·directional brushstrokes
  • ·layering

common pitfalls

  • →Overmixing colors and creating muddy tones
  • →Using too much detail and losing the expressive quality
  • →Ignoring the direction of light and shadow
  • →Creating flat, lifeless colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use high-quality paints to achieve the best color vibrancy. Experiment with different brush sizes and shapes to create a variety of textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis