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home·artworks·A Sower of the Field on a Sunny Spring Day at Brendekilde Church
A Sower of the Field on a Sunny Spring Day at Brendekilde Church by Hans Andersen Brendekilde

plate no. 5635

A Sower of the Field on a Sunny Spring Day at Brendekilde Church

Hans Andersen Brendekilde, 1914

oilSocial Realismgenre paintingfigurefieldskychurchlandscapevillage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering textures with visible brushstrokes. Students will also learn how to create a focal point through composition and value contrast.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, horizon line, and church.

  2. step 02

    Block in the large areas of color: sky, field, and distant landscape.

  3. step 03

    Establish the basic values and color temperatures in the sky, creating a sense of depth.

  4. step 04

    Develop the field with varying shades of brown and texture, using broken brushstrokes.

  5. step 05

    Paint the figure, paying attention to the light and shadow on the clothing and face.

  6. step 06

    Add details to the church and village, simplifying the forms and using muted colors.

  7. step 07

    Refine the details in the foreground, adding small rocks and variations in the soil.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · cadmium yellow · raw sienna · ivory black

Mix various shades of brown for the field by combining burnt umber, yellow ochre, and a touch of blue or black. Achieve the sky's subtle variations by mixing blue and white with small amounts of yellow or red.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color temperature

common pitfalls

  • →Overworking the details in the field, resulting in a flat and lifeless texture.
  • →Failing to create a sense of depth in the landscape, making the background appear too sharp.
  • →Using colors that are too saturated, resulting in an unnatural and jarring effect.
  • →Ignoring the subtle shifts in color temperature, leading to a lack of realism.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, titanium white, ultramarine blue, yellow ochre, raw sienna)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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