apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A portrait of a young girl
A portrait of a young girl by Leon Bonnat

plate no. 4598

A portrait of a young girl

Leon Bonnat, 1889

oilAcademicismportraitportraitfigurewomanclothinghairjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a sense of depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
5

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with broad, blended strokes of dark browns and greens.

  3. step 03

    Block in the main areas of the face, hair, and clothing with base colors.

  4. step 04

    Begin layering and blending skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the hair, creating texture with short, broken brushstrokes.

  7. step 07

    Develop the folds and shadows in the clothing, using a limited palette of purples and browns.

  8. step 08

    Add final highlights and details, such as the jewelry and the trim on the clothing.

color palette

primary · titanium white · burnt umber · alizarin crimson · yellow ochre

secondary · ultramarine blue · cadmium yellow

Mix skin tones using white, yellow ochre, alizarin crimson, and a touch of burnt umber. Create the purple of the dress by mixing alizarin crimson and ultramarine blue, then lighten with white.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Using too much detail in the background, distracting from the figure.
  • →Not paying attention to the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

Portrait of Monsieur Allard

Portrait of Monsieur Allard

Leon Bonnat