apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A nook of old Yerevan
A nook of old Yerevan by Martiros Sarian

plate no. 4928

A nook of old Yerevan

Martiros Sarian, 1928

oil, canvasExpressionismcityscapebuildingsfigurescityscapeskytreesdonkey
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with expressive brushstrokes and simplifying complex scenes into basic shapes and colors. It also provides practice in depicting figures in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, figures, and landscape, focusing on proportions and placement.

  2. step 02

    Block in the sky with a thin wash of blue and white, leaving some areas for clouds.

  3. step 03

    Establish the main color masses for the buildings using a mix of white, yellow ochre, and a touch of burnt umber.

  4. step 04

    Paint the shadows on the buildings with a mix of burnt umber, ultramarine blue, and a touch of alizarin crimson.

  5. step 05

    Add the figures and donkey, simplifying their forms and focusing on their silhouettes.

  6. step 06

    Use short, expressive brushstrokes to depict the ground, varying the colors with touches of blue, yellow, and brown.

  7. step 07

    Add details such as windows, doors, and architectural elements, using a smaller brush.

  8. step 08

    Refine the highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · alizarin crimson · cadmium yellow

Mix white with yellow ochre for the warm tones of the buildings. Use ultramarine blue and burnt umber for the cooler shadows. Add alizarin crimson to darken shadows and create warmer browns.

techniques

  • ·expressive brushstrokes
  • ·color mixing
  • ·simplifying forms
  • ·atmospheric perspective
  • ·blocking in

common pitfalls

  • →Overworking details
  • →getting bogged down in precise rendering
  • →not simplifying the forms enough
  • →using colors straight from the tube without mixing
  • →ignoring the effect of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·#6 flat brush
  • ·#2 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor