apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Meeting. Jewish Youth and Two Women in the Town Alley
A Meeting. Jewish Youth and Two Women in the Town Alley by Bruno Schulz

plate no. 0500

A Meeting. Jewish Youth and Two Women in the Town Alley

Bruno Schulz, 1920

oilExpressionismgenre paintingfigurestownbuildingsalleyclothingsky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive and expressive mood. Students will also practice capturing figures in motion and using brushstrokes to suggest form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and placement.

  2. step 02

    Block in the background with simplified shapes and colors, starting with the sky and then the buildings.

  3. step 03

    Establish the main dark and light areas on the figures, using a limited palette of browns, reds, and whites.

  4. step 04

    Add details to the figures, such as facial features and clothing folds, using smaller brushes.

  5. step 05

    Refine the background details, adding texture and variation to the buildings and sky.

  6. step 06

    Use thicker paint and visible brushstrokes to create a sense of depth and texture.

  7. step 07

    Add final highlights and shadows to enhance the form and create visual interest.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance the elements.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix burnt umber and cadmium red for the warm tones of the buildings and figures. Use titanium white to lighten the colors and create highlights. Add small amounts of ultramarine blue to darken the shadows and create depth.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·simplification of form

common pitfalls

  • →Getting bogged down in details too early.
  • →Overmixing colors and creating muddy tones.
  • →Ignoring the overall composition and balance.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette of oil paints to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor