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home·artworks·A house in Kaunas
A house in Kaunas by Mstislav Dobuzhinsky

plate no. 9950

A house in Kaunas

Mstislav Dobuzhinsky, 1930

oil, canvasSymbolismcityscapebuildingshousescityscapeskylaundrywood
some experience helpful

Recreating this painting will help students develop skills in perspective drawing and rendering textures of wood and fabric with visible brushstrokes. It also provides practice in creating a sense of depth and atmosphere using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings.

  2. step 02

    Establish the horizon line and the vanishing points.

  3. step 03

    Block in the large areas of color, starting with the sky and the general tones of the buildings.

  4. step 04

    Add details to the buildings, focusing on the texture of the wood and the placement of windows and doors.

  5. step 05

    Paint the laundry line, paying attention to the folds and shadows in the fabric.

  6. step 06

    Refine the details and add highlights and shadows to create depth.

  7. step 07

    Add final touches to the sky and the ground.

  8. step 08

    Step back and make any necessary adjustments to the composition and color balance.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · payne's gray

Mix raw umber and white for the weathered wood tones, adding small amounts of blue or sienna to adjust the color temperature. Use ultramarine blue and white for the sky, with touches of yellow ochre for the sunset glow.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·linear perspective

common pitfalls

  • →Getting the perspective wrong, which can make the buildings look distorted.
  • →Overblending the colors, which can result in a muddy appearance.
  • →Ignoring the subtle variations in color and value, which can make the painting look flat.
  • →Not paying enough attention to the details, which can make the painting look unfinished.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas to allow for good paint adhesion and texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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