
plate no. 1752
Burhan Dogancay, 1952
Recreating this painting will help students develop skills in loose watercolor washes and capturing light and shadow with a limited palette. It also encourages simplification of complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings and the wheel, focusing on proportions.
Apply a light wash of yellow ochre across the entire paper as a base tone.
While the base wash is still damp, add darker washes of burnt umber and Payne's gray to indicate shadows and darker areas of the buildings.
Use a slightly drier brush to add texture to the ground and the buildings, creating a sense of roughness.
Define the edges of the buildings and the wheel with darker, more concentrated washes.
Add highlights with a clean, damp brush to lift color and create a sense of light.
Use a fine brush to add details to the wheel and the foreground.
Evaluate and adjust values and details as needed.
color palette
primary · yellow ochre · burnt umber · Payne's gray
secondary · raw sienna · ultramarine blue
Mix yellow ochre with burnt umber to create warm browns. Use Payne's gray straight from the tube for deep shadows, or mix it with burnt umber for a softer, cooler shadow tone. Add a touch of ultramarine blue to Payne's gray for a deeper, richer dark.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use a good quality watercolor paper that can withstand multiple washes. Experiment with different brush sizes to achieve different effects.
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