
plate no. 9680
Petros Malayan, 1971
Recreating this painting will help students practice loose brushwork and color mixing to create a sense of atmosphere and depth. It also provides an opportunity to explore simplified forms and expressive lines.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and composition, focusing on the placement of buildings and figures.
Apply a thin wash of diluted color to establish the sky and general color scheme.
Block in the larger areas of color for the buildings, trees, and street, using loose brushstrokes.
Add darker values to create shadows and define the forms of the buildings and trees.
Introduce secondary colors to add depth and interest to the composition.
Refine the details of the figures and the church spire.
Add final touches and highlights to enhance the overall effect.
Evaluate and adjust as needed to achieve the desired expressive quality.
color palette
primary · ultramarine blue · burnt sienna · yellow ochre
secondary · cadmium red · sap green · gray
Mix blues and browns to create the grays for the street and shadows. Use red and yellow to create the warm tones for the buildings and sky.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use a good quality watercolor paper that can handle multiple washes. Experiment with different brush sizes to achieve varying levels of detail.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor