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home·artworks·Zoya Kosmodemyanskaya
Zoya Kosmodemyanskaya by Zoe Lerman

plate no. 3369

Zoya Kosmodemyanskaya

Zoe Lerman

oilPost-Impressionismhistory paintingfiguresinteriorclockdressold woman
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and drapery, and understanding how to create a somber mood through color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the clock.

  2. step 02

    Block in the main areas of color: the dark background, the old woman's clothing, and the young woman's dress.

  3. step 03

    Establish the darkest values in the background and the old woman's clothing, creating depth and contrast.

  4. step 04

    Begin to build up the skin tones of both figures, using subtle variations in color to create form.

  5. step 05

    Add details to the young woman's dress, paying attention to the way the fabric drapes and folds.

  6. step 06

    Refine the details of the old woman's face, capturing her expression and wrinkles.

  7. step 07

    Paint the clock and its pendulum, adding details to the clock face.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · ivory black · titanium white · burnt umber

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix various shades of gray and brown by combining black, white, and umber. Use alizarin crimson to create the red tones in the old woman's clothing. Mix blue and white for the clock.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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