apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young man reading
Young man reading by Antonio Sicurezza

plate no. 1470

Young man reading

Antonio Sicurezza, 1970

oil, panelPost-Impressionismportraitportraitfigurereadingmanhairpaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with visible brushstrokes. It also provides practice in color mixing and creating a sense of depth through value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main color areas of the background with flat tones.

  3. step 03

    Establish the basic skin tones and shadows on the face and neck.

  4. step 04

    Develop the details of the hair, using short, directional brushstrokes.

  5. step 05

    Refine the features of the face, paying attention to the light and shadow.

  6. step 06

    Paint the clothing and the paper, using a variety of brushstrokes to create texture.

  7. step 07

    Add highlights and details to the face, hair, and clothing.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and expressive portrait.

color palette

primary · red · blue · green · yellow ochre

secondary · burnt umber · titanium white · raw sienna

Mix skin tones by blending yellow ochre, burnt umber, and white. Achieve darker tones by adding small amounts of blue or green. Use white to create highlights and lighten colors.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·directional brushstrokes
  • ·color temperature

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring the subtle variations in skin tone.
  • →Using too much detail in the background.
  • →Not paying attention to the direction of the light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov