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home·artworks·Young Fellah
Young Fellah by Nasreddine Dinet

plate no. 9367

Young Fellah

Nasreddine Dinet

oilOrientalismportraitportraitfigureheadscarfpersonclothingface
some experience helpful

Recreating this painting will help students practice portrait painting, focusing on skin tones and capturing light and shadow with visible brushstrokes. It will also help in understanding how to simplify forms and suggest detail rather than rendering every element precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and headscarf.

  2. step 02

    Block in the main areas of color, using thin washes to establish the overall value structure.

  3. step 03

    Begin layering thicker paint, focusing on the areas of light and shadow on the face and headscarf.

  4. step 04

    Mix skin tones carefully, paying attention to the subtle variations in color.

  5. step 05

    Use visible brushstrokes to create texture and suggest form.

  6. step 06

    Refine the details of the face, focusing on the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · ultramarine blue · cadmium red light

Mix skin tones by blending burnt sienna, raw umber, and titanium white. Use small amounts of cadmium red light for warmth and ultramarine blue to cool down the tones. Achieve the off-white of the headscarf by mixing titanium white with small amounts of raw umber and yellow ochre.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Using too much detail and losing the overall impression.
  • →Not paying attention to the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow the paint to grip well. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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