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home·artworks·The arms merchant
The arms merchant by Gustavo Simoni

plate no. 5379

The arms merchant

Gustavo Simoni, 1891

watercolorOrientalismgenre paintingfiguresmarketarchitecturecityscapeMiddle Easttextiles
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a crowd and creating atmospheric perspective to suggest depth. It also provides practice in rendering textures and patterns on textiles.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements and the overall placement of the figures, focusing on proportions and perspective.

  2. step 02

    Establish the basic color washes for the sky and the ground, using diluted watercolor.

  3. step 03

    Begin layering in the background figures, using lighter tones and less detail to create depth.

  4. step 04

    Gradually build up the midground and foreground figures, adding more detail and darker values.

  5. step 05

    Render the architectural details, paying attention to light and shadow.

  6. step 06

    Add details to the textiles, using small brushes and careful layering.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights where needed.

  8. step 08

    Add final details and touches to complete the painting.

color palette

primary · raw sienna · burnt umber · cerulean blue

secondary · alizarin crimson · yellow ochre · ivory black

Mix raw sienna and burnt umber for the earth tones. Use cerulean blue diluted with water for the sky. Mix alizarin crimson and burnt umber for the red tones in the clothing and textiles.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Not paying attention to the proportions of the figures.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·gouache
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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