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home·artworks·The sphinx of Geezah
The sphinx of Geezah by Carl Haag

plate no. 4886

The sphinx of Geezah

Carl Haag, 1874

pencil, watercolor, paperOrientalismcityscapesphinxdesertpyramidskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures with watercolor. It also provides practice in depicting figures and architectural forms in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the Sphinx, pyramids, and horizon line.

  2. step 02

    Establish the sky with a light wash of blue, allowing for variations in tone to suggest clouds.

  3. step 03

    Apply a base layer of warm yellows and browns to the desert landscape.

  4. step 04

    Begin building up the form of the Sphinx with layers of light and shadow, paying attention to the texture of the stone.

  5. step 05

    Add details to the figures and camel, using small brushes and careful observation.

  6. step 06

    Introduce cooler tones in the shadows to create depth and dimension.

  7. step 07

    Refine the details of the pyramids in the background, using atmospheric perspective to suggest distance.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · ivory black

Mix various shades of brown and yellow by combining yellow ochre, burnt sienna, and raw umber. Use ultramarine blue and white to create the sky and distant mountains. Add small amounts of black to darken shadows.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paints for best results. Stretched watercolor paper is recommended to prevent buckling.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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