apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young blond boy
Young blond boy by Moise Kisling

plate no. 9787

Young blond boy

Moise Kisling, 1937

oilPost-Impressionismportraitfigureportraitboysweaterhairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and rendering fabric textures. It also provides practice in creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, torso, and hands.

  2. step 02

    Establish the background with broad strokes of dark browns and grays, creating a sense of depth.

  3. step 03

    Block in the main areas of color on the face, hair, and hands, paying attention to the light and shadow.

  4. step 04

    Start painting the striped sweater, carefully observing the color variations and the way the stripes curve around the body.

  5. step 05

    Refine the facial features, adding details to the eyes, nose, and mouth.

  6. step 06

    Develop the highlights and shadows on the hands to create a sense of volume.

  7. step 07

    Add final details and adjust the overall color balance to achieve a cohesive look.

  8. step 08

    Varnish the painting when dry to protect the surface and enhance the colors.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black

Skin tones are achieved by mixing white, umber, and a touch of yellow ochre. The sweater stripes use variations of umber, blue, and ochre, lightened with white.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or unnatural.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov