apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Yarralumla
Yarralumla by Grace Cossington Smith

plate no. 1236

Yarralumla

Grace Cossington Smith, 1932

oilPost-Impressionismlandscapearchwaytreegardenlandscapefoliagesky
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using color to define form and light. It also encourages experimentation with visible brushstrokes to create texture and visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the archway, the tree, the bushes, and the horizon line.

  2. step 02

    Block in the main colors of the archway with a mix of red, brown, and white.

  3. step 03

    Paint the sky with light blue, blending it slightly with white near the horizon.

  4. step 04

    Block in the tree with yellows, oranges, and hints of pink and purple.

  5. step 05

    Add the darker greens for the bushes and the lawn, varying the tones to create depth.

  6. step 06

    Paint the fence and the small building in the background with light blues and whites.

  7. step 07

    Add details like the tree branches and the texture of the archway with visible brushstrokes.

  8. step 08

    Refine the colors and values, paying attention to the light and shadow.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · sap green · alizarin crimson · raw umber

Mix yellows with white for highlights on the tree, and add a touch of red or blue to create shadows. Use green and blue to create variations in the lawn.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·color mixing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Over-blending colors, resulting in a muddy look.
  • →Making the composition too symmetrical.
  • →Ignoring the subtle color variations in the shadows.
  • →Not capturing the texture of the brushstrokes.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (#4, #6, #8)
  • ·Flat brush (#6)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to enhance the brushstroke effect. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov