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home·artworks·Yamatori
Yamatori by Alfred Stevens

plate no. 3519

Yamatori

Alfred Stevens, 1878

oil, canvasJaponismportraitwomanportraitflowerskimonojewelryplant
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice painting drapery and decorative elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, flower pot, and main folds of the kimono.

  2. step 02

    Establish the background with dark, muted tones, creating a sense of depth.

  3. step 03

    Block in the main colors of the skin, kimono, and flower pot, paying attention to the overall color harmony.

  4. step 04

    Begin refining the details of the face, focusing on capturing the likeness and subtle variations in skin tone.

  5. step 05

    Develop the folds and textures of the kimono, using layering and glazing techniques to create depth and richness.

  6. step 06

    Paint the flower pot with careful attention to the intricate details and highlights.

  7. step 07

    Add the flowers and leaves, focusing on their delicate forms and subtle color variations.

  8. step 08

    Refine the highlights and shadows throughout the painting, adding final details and adjustments to create a sense of realism.

color palette

primary · ivory black · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium red · titanium white · gold

Mix skin tones using titanium white, yellow ochre, cadmium red, and a touch of ultramarine blue. Achieve the blue-gray of the kimono by mixing ultramarine blue with ivory black and a touch of white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Losing the overall sense of harmony and unity.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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