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home·artworks·In the Country
In the Country by Alfred Stevens

plate no. 4057

In the Country

Alfred Stevens, 1867

oil, canvasRomanticismportraitfiguredressparasolgardenbenchportrait
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds and capturing subtle color variations in light and shadow. It also provides practice in portraiture and creating a sense of depth in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the parasol and bench.

  2. step 02

    Establish the background with broad strokes, creating the impression of foliage and shadow.

  3. step 03

    Block in the main shapes of the dress, paying attention to the flow of the fabric.

  4. step 04

    Begin layering colors on the dress, building up highlights and shadows to create form.

  5. step 05

    Refine the details of the face and hands, focusing on accurate proportions and subtle shading.

  6. step 06

    Add details to the parasol, including the ribs and the delicate fabric.

  7. step 07

    Paint the bench and surrounding foliage, adding details to create depth and interest.

  8. step 08

    Make final adjustments to the colors and values, ensuring a harmonious overall effect.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · sap green · cadmium red light · ultramarine blue

Mix various shades of yellow by combining yellow ochre with white and small amounts of burnt umber for shadows. Achieve the greens by mixing sap green with yellow and blue. Use red and white for the parasol.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall impression.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, titanium white, burnt umber, sap green, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

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