apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Worried sky
Worried sky by Yuriy Khymych

plate no. 7495

Worried sky

Yuriy Khymych, 1980

gouachePost-Impressionismcityscapecityscapechurchbuildingshillsskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using bold brushstrokes to define form and texture. It also provides practice in color mixing to achieve specific hues and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the composition: the church, buildings, hills, and sky.

  2. step 02

    Block in the sky with broad strokes of blue and gray, creating the 'worried' effect.

  3. step 03

    Establish the basic colors for the hills and buildings, focusing on overall tones rather than details.

  4. step 04

    Add details to the church, using a smaller brush to define the architectural elements.

  5. step 05

    Refine the shapes and colors of the buildings, adding shadows and highlights.

  6. step 06

    Develop the texture of the hills with short, directional brushstrokes.

  7. step 07

    Add small details like windows, doors, and foliage.

  8. step 08

    Review the overall composition and make any necessary adjustments to color or value.

color palette

primary · Prussian Blue · Yellow Ochre · Titanium White · Burnt Sienna

secondary · Cadmium Yellow Light · Ultramarine Blue · Raw Umber

Mix various shades of blue and gray for the sky by combining Prussian Blue, Ultramarine Blue, Titanium White, and a touch of Raw Umber. Achieve the greens for the hills by mixing Yellow Ochre, Prussian Blue, and Cadmium Yellow Light. Use Burnt Sienna and Raw Umber for the buildings, adjusting the value with Titanium White.

techniques

  • ·Blocking in
  • ·Impasto
  • ·Color mixing
  • ·Simplification
  • ·Scumbling

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to simplify the complex shapes of the buildings.
  • →Using colors that are too saturated or bright.
  • →Not establishing a clear value structure.

materials

surface · Heavyweight watercolor paper

required

  • ·Gouache paints
  • ·Round brushes (sizes 2, 6, 10)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Water container
  • ·Rag or paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Palette knife
  • ·Easel
  • ·Spray Fixative

Using good quality gouache paints will make a difference in color vibrancy and blending. Experiment with different brush sizes to achieve varying textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov