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Workwoman by Nicolae Tonitza

plate no. 1895

Workwoman

Nicolae Tonitza

oilPost-Impressionismportraitportraitfigurewomanclothingheadscarfseated
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and capturing light and shadow with visible brushstrokes. It also provides practice in simplifying forms and creating a sense of depth with limited detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, torso, and arm placement.

  2. step 02

    Block in the main color areas for the background, headscarf, face, jacket, and seat with thin washes.

  3. step 03

    Start building up the values in the face, using subtle color variations to define the features and create form.

  4. step 04

    Add darker tones to the jacket to create shadows and define the folds of the fabric.

  5. step 05

    Develop the background with loose brushstrokes, blending colors to create a soft, atmospheric effect.

  6. step 06

    Refine the details of the hands and facial features, paying attention to the light and shadow.

  7. step 07

    Add highlights to the headscarf and jacket to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive portrait.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue

Mix burnt umber and white for the skin tones, adding small amounts of red for warmth. Use ultramarine blue and burnt umber to create the darker shades in the jacket. Mix white with a touch of yellow ochre for the headscarf.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·color blending
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to capture the correct proportions of the figure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·#6 round brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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