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home·artworks·Workers Houses, Flushing Bay
Workers Houses, Flushing Bay by Philip Evergood

plate no. 9394

Workers Houses, Flushing Bay

Philip Evergood, 1945

oilSocial Realismlandscapehouseslandscapeskytreeswaterboats
some experience helpful

This painting provides practice in creating atmospheric perspective and simplifying complex scenes into basic shapes. Students will also learn to mix muted colors and suggest detail with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, clusters of houses, and large cloud masses.

  2. step 02

    Block in the sky with light blues and grays, blending softly.

  3. step 03

    Establish the basic land masses with muted greens and browns, using a thin wash.

  4. step 04

    Add the larger houses, focusing on their basic shapes and roof angles.

  5. step 05

    Introduce darker values for shadows and details like tree trunks and window openings.

  6. step 06

    Paint the water and boats in the distance, using lighter, cooler tones to create depth.

  7. step 07

    Add details like fences, paths, and smaller buildings, using a dry brush technique for texture.

  8. step 08

    Refine the overall composition, adjusting values and adding highlights where needed.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt sienna · raw umber · cadmium red

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·dry brush
  • ·atmospheric perspective
  • ·color mixing
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Overworking details
  • →Using colors that are too bright
  • →Ignoring atmospheric perspective
  • →Creating muddy colors by over-mixing
  • →Not simplifying the scene enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for dry brush effects. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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