
plate no. 9394
Philip Evergood, 1945
This painting provides practice in creating atmospheric perspective and simplifying complex scenes into basic shapes. Students will also learn to mix muted colors and suggest detail with loose brushwork.
technical profile
approach — 8 steps
Lightly sketch the main shapes: horizon line, clusters of houses, and large cloud masses.
Block in the sky with light blues and grays, blending softly.
Establish the basic land masses with muted greens and browns, using a thin wash.
Add the larger houses, focusing on their basic shapes and roof angles.
Introduce darker values for shadows and details like tree trunks and window openings.
Paint the water and boats in the distance, using lighter, cooler tones to create depth.
Add details like fences, paths, and smaller buildings, using a dry brush technique for texture.
Refine the overall composition, adjusting values and adding highlights where needed.
color palette
primary · titanium white · ultramarine blue · yellow ochre
secondary · burnt sienna · raw umber · cadmium red
Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve atmospheric perspective by adding white to colors as they recede into the distance.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for dry brush effects. Consider using a limited palette to simplify color mixing.
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