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Woods by Harry Phelan Gibb

plate no. 5380

Woods

Harry Phelan Gibb, 1930

oilPost-Impressionismlandscapetreeslandscapehillswoodsautumnfoliage
some experience helpful

Recreating this painting will help students develop their understanding of color mixing for natural scenes and practice layering techniques to create depth and texture. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the hills, trees, and foreground.

  2. step 02

    Block in the sky with a thin layer of pale green-gray.

  3. step 03

    Establish the main color areas of the hills using a mix of reds, browns, and greens.

  4. step 04

    Paint the distant trees and foliage with darker, muted tones.

  5. step 05

    Add the foreground grasses with vertical brushstrokes, varying the colors and values.

  6. step 06

    Paint the bare trees in the foreground, paying attention to the branching structure.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · yellow ochre · sap green · ultramarine blue

Achieve the earthy tones by mixing burnt sienna and raw umber with small amounts of white, yellow ochre, and blue. Use green sparingly, muted with browns, for the foliage.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the tree branches too uniform and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A medium-textured canvas will help to create a more textured effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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