
plate no. 5380
Harry Phelan Gibb, 1930
Recreating this painting will help students develop their understanding of color mixing for natural scenes and practice layering techniques to create depth and texture. Students will also learn to simplify complex forms into basic shapes.
technical profile
approach — 8 steps
Sketch the basic shapes of the hills, trees, and foreground.
Block in the sky with a thin layer of pale green-gray.
Establish the main color areas of the hills using a mix of reds, browns, and greens.
Paint the distant trees and foliage with darker, muted tones.
Add the foreground grasses with vertical brushstrokes, varying the colors and values.
Paint the bare trees in the foreground, paying attention to the branching structure.
Refine the details and add highlights to create depth and dimension.
Add final touches and adjust colors as needed.
color palette
primary · burnt sienna · raw umber · titanium white
secondary · yellow ochre · sap green · ultramarine blue
Achieve the earthy tones by mixing burnt sienna and raw umber with small amounts of white, yellow ochre, and blue. Use green sparingly, muted with browns, for the foliage.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-textured canvas will help to create a more textured effect. Consider using a limited palette to simplify color mixing.
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