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home·artworks·Wooded Landscape with a Toll Gate
Wooded Landscape with a Toll Gate by George Morland

plate no. 5222

Wooded Landscape with a Toll Gate

George Morland

oilRococolandscapelandscapetreesskybuildingfigureshorses
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in capturing the subtle nuances of light and shadow in a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, hills, and figures.

  2. step 02

    Establish the sky with a thin wash of blues and grays, blending the clouds softly.

  3. step 03

    Block in the distant hills with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the building with a base coat of white, then add shadows and details to define its form.

  5. step 05

    Add the trees and foliage, using a variety of greens and browns to create texture and depth.

  6. step 06

    Paint the figures and horses, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details, such as the fence, gate, and any small elements that add interest.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · sap green

Mix various shades of green by combining ultramarine blue, yellow ochre, and burnt umber. Create atmospheric perspective by adding white to colors for distant objects.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·soft blending
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Ignoring the importance of value relationships
  • →Using colors that are too saturated
  • →Neglecting the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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