
plate no. 4601
Suzanne Valadon, 1924
Recreating this painting will help students practice color mixing for skin tones and learn how to depict form using visible brushstrokes. It also provides an opportunity to study the composition and arrangement of elements in a figurative painting.
technical profile
approach — 8 steps
Create a light sketch of the figure and chair, paying attention to proportions and placement.
Block in the main areas of color: background, skin, dress, chair, and stockings.
Start refining the skin tones, using a variety of pinks, yellows, and whites.
Develop the red dress, adding details like the white dots and shadows.
Work on the chair, using browns and reds to create the wood grain.
Add details to the stockings, including highlights and shadows to suggest form.
Paint the flowers and the floor area, keeping the details simple.
Refine the overall painting, adjusting colors and values as needed.
color palette
primary · red · white · yellow ochre · raw umber
secondary · black · pink · brown · green
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The red dress is a mix of red with touches of brown and white for highlights and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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