plate no. 5187
Woman with a mandolin
Jean Metzinger, 1950
study guide
est. 12 hrsapproach — 8 steps
- step 01
Lightly sketch the main shapes and lines of the composition, focusing on the geometric structure.
- step 02
Divide the figure and surrounding objects into distinct planes and facets.
- step 03
Block in the main areas of color using a limited palette of browns, reds, and creams.
- step 04
Gradually build up the color and value within each plane, creating subtle variations.
- step 05
Add the red patterned details on the fabric.
- step 06
Define the edges of the planes with darker outlines to enhance the cubist effect.
- step 07
Refine the details of the mandolin and facial features.
- step 08
Add final highlights and shadows to create depth and dimension.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · cadmium red · viridian
Mix browns and whites for skin tones, adding small amounts of red or green to adjust the warmth and coolness. Use viridian to darken the background.
techniques
- ·geometric abstraction
- ·faceted planes
- ·limited palette
- ·color blocking
- ·outlining
common pitfalls
- →Overcomplicating the shapes
- →losing the overall form
- →muddying the colors
- →uneven outlines
materials
surface · stretched canvas
required
- ·stretched canvas
- ·acrylic or oil paints
- ·round brushes (#2, #6)
- ·flat brushes (#4, #8)
- ·palette
- ·linseed oil (if using oil paints)
- ·mineral spirits (for cleaning)
optional
- ·palette knife
- ·painting medium
- ·easel
A medium-sized canvas (16x20 or 18x24) is recommended. Acrylics are faster drying and easier to clean, while oils offer richer colors and blending capabilities.
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