
plate no. 5187
Jean Metzinger, 1950
This painting provides an opportunity to practice simplifying complex forms into geometric shapes and using a limited color palette to create a cohesive composition. Students will learn to analyze and abstract a subject while maintaining its essence.
technical profile
approach — 8 steps
Lightly sketch the main shapes and lines of the composition, focusing on the geometric structure.
Divide the figure and surrounding objects into distinct planes and facets.
Block in the main areas of color using a limited palette of browns, reds, and creams.
Gradually build up the color and value within each plane, creating subtle variations.
Add the red patterned details on the fabric.
Define the edges of the planes with darker outlines to enhance the cubist effect.
Refine the details of the mandolin and facial features.
Add final highlights and shadows to create depth and dimension.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · cadmium red · viridian
Mix browns and whites for skin tones, adding small amounts of red or green to adjust the warmth and coolness. Use viridian to darken the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-sized canvas (16x20 or 18x24) is recommended. Acrylics are faster drying and easier to clean, while oils offer richer colors and blending capabilities.
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