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home·artworks·Woman Standing in a Door
Woman Standing in a Door by Janos Tornyai

plate no. 2245

Woman Standing in a Door

Janos Tornyai, 1934

oilPost-Impressionismgenre paintingfiguredoorwaygardenbuildingfoliagelight
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, as well as simplifying complex scenes into basic shapes and colors. It will also improve their ability to create depth using color temperature and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the doorway, figure, and background elements.

  2. step 02

    Block in the main colors of the doorway, figure, and background with thin washes.

  3. step 03

    Establish the light and shadow patterns on the doorway and figure.

  4. step 04

    Develop the background foliage, focusing on color variations and suggesting depth.

  5. step 05

    Add details to the figure, such as the folds in the dress and the suggestion of facial features.

  6. step 06

    Refine the edges and shapes, paying attention to the overall composition.

  7. step 07

    Add highlights and details to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to color and value to achieve a cohesive and harmonious painting.

color palette

primary · yellow ochre · burnt sienna · alizarin crimson

secondary · sap green · titanium white · ultramarine blue

Mix greens by blending yellow ochre and ultramarine blue. Achieve warm browns by combining burnt sienna and alizarin crimson. Use white to lighten values and create subtle color variations.

techniques

  • ·blocking in
  • ·dry brushing
  • ·color mixing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Neglecting the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to create a harmonious color scheme. Consider using a toned canvas to establish a middle value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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