apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman Sewing at a Window
Woman Sewing at a Window by Gwen John

plate no. 3107

Woman Sewing at a Window

Gwen John

oil, canvasPost-Impressionismgenre paintingfigurewindowinteriorchairlightdress
some experience helpful

Recreating this painting will help students practice rendering form with subtle value changes and capturing the effect of light filtering through a window. It also provides an opportunity to study the nuances of painting a dark figure in a dimly lit space.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, window, chair, and room boundaries.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the large areas of color, focusing on the light and shadow patterns.

  4. step 04

    Develop the figure's form, paying close attention to the subtle gradations of value in the dress.

  5. step 05

    Refine the details of the window and chair, using small brushstrokes to create texture.

  6. step 06

    Add the patterned wallpaper, using a dry brush technique to suggest the design without over-defining it.

  7. step 07

    Adjust the overall color harmony and value relationships to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · raw umber · yellow ochre

secondary · burnt sienna · titanium white

Mix blacks with umbers and siennas to avoid a flat, lifeless black. Use white sparingly to create subtle highlights and to lighten the ochre for the window light.

techniques

  • ·underpainting
  • ·value study
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, especially in the background.
  • →Making the figure too dark and losing the subtle value changes.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to capture the effect of light filtering through the window.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints: ivory black, raw umber, yellow ochre, burnt sienna, titanium white
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Assorted round and flat brushes
  • ·Palette
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a fine weave to allow for smooth blending. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov